Writers Rocky Hatley, the actor, and Jodie Fleming, the psychologist, met and became friends in the Literary Kitchen, an online writing class taught by Ariel Gore. Bonding over their mutual love of writing and cinema, they join forces to critique movies in a way that only an actor and a psychologist can. Unique and insightful. This is their review of the story of Elton John, Rocketman.
I didn't like it.
I loved it.
J: Well Rocky, even though I grew up with Elton John’s music, and loved it, I actually considered not seeing Rocketman when I first saw its trailer. If not for an invitation for a girls’ night out at the movies, I might not have seen one of the greatest human tales I have ever seen.
R: You know Jodie, one of the most difficult roles to play is someone in living memory. The successful ones can win Oscars. Sissy Spacek did in 1980 for playing Loretta Lynn. Rami Malek did this past year for playing Freddy Mercury. Two years ago, Gary Oldman won for playing Sir Winston Churchill. I do confess that I'm stretching "living memory" with Churchill. He died when I was seven.
The less successful ones can be embarrassing to behold.
I certainly believe Taron Egerton will receive Academy Award consideration for his portrayal of Elton John. He was that good. As flamboyant as Elton John was during the period covered by the movie, the temptation would have been to go way, way, way over the top chewing up the scenery along the way.
He did no such thing.
J: I think one of things dissuading me from going initially was Taron’s lack of likeness to Elton. Worried I wouldn’t ‘see’ Elton but instead, the actor, I was very pleasantly surprised as the movie progressed, that the character ‘became’ Elton, physically and in voice as well.
R: He brought the flamboyance, no doubt. But he also brought the deep pain brought on by an indifferent father and a cold-hearted mother, wonderfully played by Steven Mackintosh and Bryce Dallas Howard respectively. I have to be honest here. I never would have pictured Bryce Dallas Howard in this role. Not that she isn't a good actor. She is wonderful. But shame on me for doubting her because she nailed it, delivering the coldest line in the movie absolutely straight. One that sent chills down my spine.
J: Do you know Rocky, I didn’t even realise that Bryce played Elton’s mother! And worse than that, I didn’t even realise that his horrible manager, John Reid, was played by none other than Rob Stark! Haha, clearly not his real name.
Rocketman is a psychologist’s dream movie. We are literally following Elton throughout his drug and alcohol group therapy program for the duration of the movie. There’s so much to admire in the moviemaking of this theme of addiction that plagues Elton’s early career and is so accurately portrayed in this film.
Anyone interested in addiction theories in recent times will have stumbled across Johann Hari who says that, ‘the opposite of addiction isn’t sobriety, it’s connection.’ Well, I had that running through my mind whenever confronted with a scene involving little Reggie (and big Elton for that matter!) and his detached and verbally abusive mother and emotionally absent father likely living with post-traumatic stress disorder after serving in the army. With problematic attachments to both parents (thank goodness for Nan!), Elton sought out deep love and connection but sadly entered unhealthy relationships and turned to drugs and alcohol – addiction – in order to feel good, or to numb the pain. Johann Hari is certainly onto something in the need for love in treating addiction.
I know for you Rocky, you’ll be more focused on the writing and direction of the film.
R: The whole movie began with an amazing script by Lee Hall that effortlessly uses the songs to take us to and through the phases of Elton John's unconventional life.
Dexter Fletcher (Bohemian Rhapsody) certainly knows how to direct a music biopic. He took us all the way from Broadway musical to the depths of booze, drugs, sex, and despair. Beautifully done.
J: So beautifully done. One of my favourite observations was the gradual shedding of Elton’s elaborate costume he wore as he burst through the therapy door. As he shed his defenses, as he peeled back his protective layers and we were allowed inside the man, so too, did the costume, the mask, come off, until there he sat, in a bath robe.
R: I've heard criticism about how this movie is nothing more than yet another successful rise to richesses and fall to booze, drugs, and sex. Those who see it that way don't seem to get that this was Elton John's life. That it was made in a unique way, allowing the songs to tell the story along with the actors and the camera, make all the difference for me.
I also enjoyed the performances of Jamie Bell as Elton John's longtime writing partner the loyal and talented Bernie Taupin. And Richard Madden shined as the greedy, self-centered manager and former lover John Reid.
J: Bernie and Elton’s friendship is one to be envied. It also highlighted the fact though no one can save another until that other is willing to help themselves. Bernie being there at the end of Elton’s treatment is a shining example of what is needed for true recovery. The fact that they remain friends who have never argued, into Elton’s healthy relationship with husband David and fatherhood with their two sons, certainly highlights that friendship as one of Elton’s greatest protective factors.
My absolute favourite moment though, has to be the scene when therapy ends and Elton visualizes all of his key players including his parents, and also little Reggie, who asks Elton, ‘when are you going to hug me?’
What beautiful symbolism that we all need to practice self-love and self-compassion and that the adult version of ourselves can heal and nurture our childhood versions of ourselves in order to accept our past and ourselves.
R: I'm giving Rocketman a 10.
J: From a psychological perspective, I’m going to give it an 9/10.
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